Houston A Baker
Author
Publisher
University of Chicago Press
Pub. Date
c1984
Language
English
Description
Relating the blues to American social and literary history and to Afro-American expressive culture, Houston A. Baker, Jr., offers the basis for a broader study of American culture at its "vernacular" level. He shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it.
Author
Publisher
Columbia University Press
Pub. Date
c2008
Language
English
Description
Houston A. Baker Jr. condemns those black intellectuals who, he believes, have turned their backs on the tradition of racial activism in America. These individuals choose personal gain over the interests of the black majority, whether they are espousing neoconservative positions that distort the contours of contemporary social and political dynamics or abandoning race as an important issue in the study of American literature and culture. Most important,...
Author
Publisher
University of Wisconsin Press
Pub. Date
©1988
Language
English
Description
Baker envisages the mission of black culture since the 1920s as "Afro-American spirit work." In the blues, the post-modernist "chant poem," the oratory of Malcolm X and the political plays of Amiri Baraka, Baker notes the unfolding creation of a "racial epic" in which black Americans may discover their place in U.S. society and find their ancestral roots. He analyzes Jean Toomer's stream-of-consciousness protest novel Cane, ponders why apolitical...
Author
Series
Broadside critics volume no. 4
Publisher
Broadside Press
Pub. Date
[1974]
Language
English
Author
Series
Publisher
University of Chicago Press
Pub. Date
1991
Language
English
Description
Turning on inspired interpretations of Zora Neale Hurston, Toni Morrison, and Ntozake Shange, the author weighs current critical approaches to black women's writing against his own explanation of the founding, theoretical state of Afro-American intellectual history.
Author
Series
Publisher
University of Chicago Press
Pub. Date
1993
Language
English
Description
In this explosive book, Houston Baker takes stock of the current state of Black Studies in the university and outlines its responsibilities to the newest form of black urban expression--rap. A frank, polemical essay, Black Studies, Rap, and the Academy is an uninhibited defense of Black Studies and an extended commentary on the importance of rap. Written in the midst of the political correctness wars and in the aftermath of the Los Angeles riots,...
13) Critical memory: public spheres, African American writing, and Black fathers and sons in America
Author
Series
Jack N. and Addie D. Averitt lecture volume no. 8
Publisher
University of Georgia Press
Pub. Date
c2001
Language
English
Description
"From the lone outcry of Richard Wright's Black Boy to the chorusing voices of Louis Farrakhan's Million Man March, Critical Memory looks across the past half century to assess the current challenges to African American cultural and intellectual life. As Houston A. Baker recalls his own youth in Louisville, Kentucky, and Washington, D.C., he situates such figures as Ralph Ellison, James Baldwin, Shelby Steele, O.J. Simpson, Chris Rock, and Jesse Jackson...
Author
Series
Accelerated Reader
IL: UG - BL: 9.1 - AR Pts: 22
Language
English
Description
"An updated edition of a classic African American autobiography, with new supplementary materials. The preeminent American slave narrative first published in 1845, Frederick Douglass's Narrative powerfully details the life of the abolitionist from his birth into slavery to his escape to the North in 1838. Douglass tells how he endured the daily physical and spiritual brutalities of his owners and drivers, how he learned to read and write, and how...
Publisher
Columbia University Press
Pub. Date
[2015]
Language
English
Description
"Post-Blackness salutes Black individuals and their achievements while rejecting affiliation with any larger Black community. It disavows allegiance to Black intellectual and cultural traditions. Its stance depends on the premise that the current racial order has broken with the past. This collection of commissioned essays begins a long overdue discussion about changes in the racial order in the age of Obama. It interrogates and challenges the emergence...