"How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch...

"Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art ... Based on his hugely popular Reith Lectures and full of pictures, this funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we're too embarrassed to ask. Questions such as: What is 'good' or 'bad' art--and does it even matter? Is art still capable of shocking...

"The great authority and historical undergirding of Hilton Kramer's art criticism are on abundant display in this first collection of his pieces to appear in twenty years. The essays and reviews in The Triumph of Modernism constitute a fever chart of the contemporary art scene, diagnosing the state of modernism and its vital legacy in the postmodern world."--Publisher's website.

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and

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"Encountering a work of contemporary art, a viewer might ask, 'What does it mean?' 'Is it really art?' and 'Why does it cost so much?' These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters. In The Story of Contemporary Art, Tony Godfrey picks up where...

Rosenthal connects the objectivity, purity and depersonalization - the Cartesian spirit - of Fra Angelico to analogous aspects in Piero della Francesca, Raphael, Poussin, Cezanne, Mondrian, and the Op Art movement. Paying close attention, for example, to the Op Artist Bridget Riley, he aligns her and other contemporary artists' work with the perceptually based science and art of Leonardo, the philosophy of Blaise Pascal, moving sculptures in Renaissance...

"Come Together is a global investigation of the recent generation of art collectives, hidden behind trade and code names. It's about forty groups that have emerged since the end of the 1990s, active all over the world. The groups selected work within different creative disciplines: visual arts, design, street art, new media art, fashion, music, and architecture. The aspects they have in common include: youth culture, mass-media influence, aptitude...

"The story behind the 1913 Armory Show, the most important art exhibit in U.S. history. Held a century ago, in the winter of 1913, the show brought Modernism to America in an unprecedented display of 1300 works by artists including Picasso, Matisse, and Duchamp. Drawing from primary sources and setting the Armory Show into the context of American culture just before World War I, the book brings the exhibition and its era to vivid life."

A lively and deeply researched group biography of the figures who transformed the world of art in bohemian Paris in the first decade of the twentieth century
In Montmartre is a colorful history of the birth of Modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside...

In the fateful year of 1913, events in New York and Paris launched a great public rivalry between the two most consequential artists of the twentieth century, Pablo Picasso and Marcel Duchamp. The New York Armory Show art exhibition unveiled Duchamp's Nude Descending a Staircase, a "sensation of sensations" that prompted Americans to declare Duchamp the leader of cubism, the voice of modern art. In Paris, however, the cubist revolution was reaching...