Catalog Search Results
Author
Publisher
Cornell University Press
Pub. Date
2001
Language
English
Description
"Mitchell Greenberg explores the significance of fantasies of the body in seventeenth-century France through readings of some of the most intriguing texts of the period." "In addition to his richly nuanced readings, Greenberg integrates into his argument material from a broad array of disciplines, including psychoanalysis, feminism, epistemology and history. He also points out the implications of his argument for the political, theological, and historical...
Author
Series
Cambridge studies in French volume 45
Publisher
Cambridge University Press
Pub. Date
1993
Language
English
Author
Publisher
Princeton University Press
Pub. Date
©1992
Language
English
Description
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting...
Author
Series
Cambridge studies in French volume 36
Publisher
Cambridge University Press
Pub. Date
1992
Language
English
Description
This book analyzes the relation between the modern subject who emerges in seventeenth-century French literature, particularly in dramatic works, and the emergence of the first modern Absolutist state. It shows how in the work of the major writers of the Classical period (Corneille, Racine, Moliere, Lafayette and others) a new subjectivity is formed in and through the representation of the family, which serves to mediate a patriarchal ideology of sexual...
Author
Series
Publisher
Cambridge University Press
Pub. Date
1992
Language
English
Description
This book studies the importance of typographic shapes in French Renaissance literature in the context of psychoanalysis and of the history of printed writing. Focusing on the poetry of Clement Marot, Rabelais's Gargantua, Ronsard's sonnets, and the Essais of Montaigne, it argues that printed characters can either supplement or betray what they appear to articulate, revealing compositional patterns that do not appear to be under authorial control,...